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Tra i due vincenti, la città piange


Before the analysis of the PD, then that of the PDL. To listen to one another, they won both. will not go into the details of who is right and who was wrong. Maybe the second one has some reason to rejoice. The fact is that between the two winners, the third is crying. And the third, more uncomfortable than ever, is the city. Since the two Bonghi Morlacco first, through Labbate, Lucera in 8 years has done nothing but wait and hope. He waited the new General Urban Plan. He waited more appropriate social policies to deal with emergencies. He hoped that after 30 years, we might seek agreement on a few important priorities to give a positive impetus to employment, perhaps specifically supporting the development of agribusiness, tourism and trade.
And then there are the suburbs, where now two-thirds of the population.
The district has also lost the Capuchin school. The 167 is growing, building new homes, but do not grow the services available to its inhabitants. The symbols of the city are so emblematic of the situation Lucera: closed museum, amphitheater idem, Piazza Duomo always marked by the wounds of Sant'Anna.
Si salva, in parte, il Castello. Volendo vedere il bicchiere mezzo pieno, si può dire che l’opera di restauro che ha interessato il sito ha reso più fruibile la Fortezza. Resta il problema inerente la stabilità della cinta muraria che affaccia sulla strada per Pietramontecorvino.
Insomma, i problemi e le necessità sono evidenti da anni. Ciò nonostante, il Pd si appresta a sondarli a bordo di un pulmino che presto attraverserà la città. E’ quanto annunciato dal segretario Jury Galasso. Sarà. Vincenzo Morlacco ha ancora quattro anni a disposizione per cominciare a cambiare le cose. Il programma di stabilizzazione dei precari in servizio al Comune è un buon inizio. Trovare un accordo condiviso con la città, opposizione compresa, sulla “questione eolico” sarebbe un buon proseguire. Alle casse comunali, già malmesse di loro, tra poco verrà meno anche l’ossigeno dell’Ici cancellata da Berlusconi. I proventi delle wind farm, dunque, potrebbero essere molto utili per avviare un piano di risanamento e di investimenti mirati.
Come utilissimo sarebbe un “patto ricostituente”, per il bene della città, tra maggioranza e minoranza. C’è chi lo chiama “inciucio”, ma in realtà – almeno in questo caso – potrebbe essere meglio digerito se fosse inteso come sacrificio degli egoismi di parte per rilanciare le sorti di una comunità messa maluccio. Solo così si può hope to win is not a party and Lucera.

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Leggeri come papaveri

Saturday morning I received a call from a friend, I was returning from Alberona: stop the car at the entrance of a cattle track and continue to listen. Meanwhile, snap photos at a beautiful field of poppies. You keep talking. We get some healthy laughter, some bitter. To the poppies - beautiful, red and light to those who make their crowns of velvet and the wave "pogano" rubbing with weeds and stalks of corn, the speeches that we do not give a damn. Spring explodes, fun, invent palettes, pull the yellow to red, green mixed with purple, and the sides of the roads become a drawing of a child with his hands smeared with color. All around, nature is indifferent to the chaos and misunderstandings arising from frustration or lack of intelligence men. I try to explain the concept to my friend, when they are already on the road to Foggia. She finally understands and laughs heartily. Lucera At the political and social situation is riddled with envy those who consume them and produces small-sized challenges that are unnecessarily energy drain that would deserve another job, another direction. For example, it would not hurt to try to understand what is happening in some countries "of the mountain." Dauni Mountains, there are mayors who have agreed to give meaning to their mandate. They explained their "vision" citizenship. The desire to focus on services, small and medium enterprises, tourism, starting to build a different identity for their communities: not just complain, abandonment, the sad refrain of depopulation and unemployment. Of course, it is not easy, is not immediate. The money is short. We must sharpen our wits, make the most of the funds made available from Europe, use wisely those resulting from wind farms already in place and those who will be operating soon. But the rewards are starting to look at, to be tangible to be stone work, concrete work and sweat. Take a stroll in Roseto, the water mill. And the mayoress explains. Go and see what they have done in Deliceto, or discover it first by clicking on www.comune.deliceto.fg.it/.
Di Puglia Orsara know almost everything, except that since 2003, when the crisis has slowed the development of all Italy, the country's economic indicators showed a significant increase in GDP per capita. For Alberona, in a fantastic natural amphitheater, is growing the most spectacular multi-purpose structure of the province of Foggia. In these and other small municipalities, the desire to escape extinction, re-launch of combining tradition and innovation, he overcame the temptation to row against each other, and administrators - including opposition - have found the collaboration of all le forze vive del tessuto sociale. Lucera, e la stessa cosa vale per Foggia – San Severo e Cerignola, dovrebbe seguirne l’esempio. Lucera come Comunità. L’azione efficace di un sindaco, di una Giunta, sono condizioni necessarie ma non sufficienti per la realizzazione di un progetto di rilancio e ricostruzione. Tutte le altre analisi, i ricorsi al Tar, le battaglie intra e fra partiti, i messaggi sibillini, le avventure lessicali e sintattiche per spiegare il vuoto, sono pesanti come l’inutilità. Impariamo a essere semplici, leggeri come papaveri. Forza Lucera.

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I MATTI NON HANNO IL CUORE

Quanti omicidi hanno origine dal disagio mentale? Quante sono le persone abbandonate ai loro problemi e bombardate di psicofarmaci fin da bambini che finiscono tragicamente il loro percorso di dimenticati in un suicidio o dietro le sbarre? Quante sono le famiglie lasciate da sole, senza alcun tipo di sostegno, nell'affrontare questo problema? Non me lo ricordo nemmeno quando sono stati "aboliti" i manicomi. "Un'aberrazione", si è detto a ragione. Cancellati. Sostituiti da quali strutture? Ma l'elettrosciock c'è ancora. Ha una forma diversa. Quella della lobotomia quotidiana somministrata in pillole. In bombe chimiche che sostituiscono o dovrebbero sostituire camice di forza e altre torture medievali patite dai matti, i matti, nei vecchi manicomi. Anni fa, mi sono interessato della questione. Niente. Oltre le terapie farmacologiche, oltre i bombardamenti di psicofarmaci, alle families who want to help a loved one is not AlCu proposed alternative to the expectation that their loved one die and stop being a nuisance, a problem, a monster, a freak, a chronic misfit, a poor man, a suicide or a murderess . You just have to wait. Mortified. Without hope. Terrified by tomorrow. And 'that should take care of this policy. The prison in which they are locked up thousands of families and hundreds of thousands of crazy, pull out those for which the expression of mental distress. A prison immaterial. Before Garfunkel sang that song in Sanremo there was another great singer-songwriter to talk about this tragedy in one of his songs. "The crazy" by Francesco De Gregori is incredibly true. Returns exactly to the listener the sensation of cold, empty and cold experienced by those who know, who lives or those who share the tragedy of mental illness. It 's a maze without escape. One of the maze without escape. One of the many for whom the policy must begin to build maps, routes, offering an alternative to the horror and helplessness. Otherwise we are condemned to be the company we are. Demented. Obtuse. Television. Inconsistent. Schizophrenic. Chemically neutral and lost.

I go crazy happy, between the camp and the railway.
Hunting for grasshoppers and snakes, hunting for crickets and snakes.
I go crazy happy to lead the madness
chasing crickets and snakes, between the field and the railway.
I have nothing crazy, more than any city around them, even if
who hears them scream, yell, even if it does.
I go crazy happy, on the edge of normality,
like shooting stars, on the Sea of \u200b\u200bTranquillity.
transporting large plastic bags of the total weight of the heart,
full of garbage and silence, full of cold and noise.
I do not have the heart or mad if they do is wasted,
is an all-black cave.
I crazy to think there is still a train never arrived
a wife and taken away by some kind of storm.
I crazy to walk without a license,
the crazy life, into the night, locked.
I go crazy happy, stop traffic with his hand, then
through the morning, with the help of a bottle of wine.
They stop long hours, to rest, the bones and wings,
bones and wings, and inside the churches we go to smoke,
hundreds of cigarettes before the altar.

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LUCERA, USCIRE DALL'ISOLAMENTO

Working on the potential synergy, out of isolation. This, in brief, the "recipe" for reviving the CGIL Lucera. The platform for the development of the city, presented by the Chamber of Labour in 2007, is now the critical issues that face the central Swabian fa registrare: tracollo del settore industriale, disoccupazione ed emigrazione, lavoro nero, sottovalutazione delle opportunità offerte da agricoltura e turismo. “L’aspetto turistico – si legge nel documento lungo 7 pagine - è allo stato embrionale mancando una politica volta al settore che valorizzi il patrimonio della città sotto il profilo storico, culturale e artistico”.
LE AREE PRODUTTIVE . In zona Asi, era previsto l’insediamento di 60 realtà produttive: oggi, le imprese operanti in quell’area non sono più di 10. La Cgil suggerisce la revoca delle concessioni a chi non ha dato seguito al progetto di espansione della propria azienda in zona Asi e l’allargamento the area through collaboration with the municipalities in the surrounding areas, to create "a center of integrated industrial and service the entire district. The commercial-industrial area, located on the outskirts of the city, would become a pilot center for crafts. Today, however, live in conditions of substantial abandonment: no infrastructure, inadequate services for any type of development.
BUILDING . The planning of the city is stuck at his old plan, more than thirty years old. Can only be built in one area: that of the so-called "Lucera 2". Not upgrading. And much the buildings of downtown, including ancient and historical buildings, it falls apart. The urban redevelopment of the heart of the city, according to the CGIL, increase jobs in the field of restoration and in the medium term will prove crucial to the tourist development of Lucera. The review also draws attention to the preventive measures to safeguard the hydrogeologic area. The areas upon which the castle and the hospital are still at risk. The first above all. E 'need to obtain new financing to prevent the risk of landslides and collapses.
AGROINDUSTRIE . Agriculture is central to the economy of Lucera: 976 aziende operanti, 4.100 ettari coltivati, 27 mila contando quelli di tutta l’area che gravita attorno al centro svevo. Servono acqua e opere irrigue, secondo la Cgil che è favorevole alla realizzazione di una nuova diga, quella già progettata e finanziata di Piano dei Limiti, sul confine appulo-molisano. Per la valorizzazione dei prodotti tipici, il sindacato ritiene fondamentale un’azione che unisca tutti i Comuni della Capitanata. La trasformazione e la conservazione dei prodotti va sviluppata in loco. Anche in questo caso, il modello prospettato è quello dell’unione, dei consorzi, del “fare sistema”. Il piano strategico di area vasta, in questo senso, può essere una risposta.
TRANSPORT . The road network is inadequate: we need "strong action that will accelerate the implementation of a regional road, Poggio Imperiale-Candela, with link roads" to other municipalities of the Mountains Dauni. Rail, with the completion of the line-Foggia Lucera, should also serve to transport goods. Fundamental project "High capacity" with a doubling in the links with Rome and Naples.
TOURISM . Also mentioned, the development of the tourism sector, in fact, is treated as a utopia. Lucera, recognized as the "City of Art", has a municipal museum. The "Fiorelli" is closed by an earthquake in 2002. Locked doors amphitheater, who soon will be visitable. Offer fragmented, disorganized, poor service, little aware of the potential and opportunities. The main problem is not that of receptivity. There is no coordination, nor is any active cooperation between municipalities in order to promote a route that might also offer a wealth of castles (now Malten), archaeological sites (now abandoned), museums (not very well kept and promoted), " oasis "naturalistic, churches, medieval villages and wine tasting tours that rivals the most famous places and attend to other regions.

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QUATTRO CHIACCHIERE



benches in front of the Queen's Tower. On the tour Sunday, February 3, 2008

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DEL RIPOSO E DELL'AMORE



bench in municipal gardens. Close to San Pasquale. From tour Sunday, February 3, 2008

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PIAZZA SAN FRANCESCO



tour from Sunday, February 3, 2008

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LUCERA IN NUMERI

Lucera, with 34,656 residents , is the fifth largest city of Foggia in the number of inhabitants, the third in terms of potential agro-food sector. A potential yet to be fully developed and that currently, is expressed by 3991 hectares of farmland , 976 companies operating, 77 food businesses (Chamber of Commerce data). In 2007, Lucera showed a positive balance among newborns (354 ) and people died (287 ). Negative balance, however, between new registrations of residence ( 516, including 233 foreigners) and cancellations (773 "migrated": 488 men and 285 women). Continues to be one of the city's youngest captains only 17 percent of the population ha già compiuto i 65 anni . Il 33 per cento circa della popolazione attiva è senza un lavoro. I disoccupati e i precari, dunque, sono quasi 8 mila in città. In tutta l’area, quella monitorata dall’Ufficio provinciale per il lavoro di Lucera (che aggrega i dati lucerini a quelli di altri 13 paesi circostanti), i senza lavoro sono complessivamente 15 mila su una popolazione totale pari a circa 56 mila abitanti. I nuclei familiari della città che si trovano in uno stato di indigenza sono 480 . Un problema, quello della povertà, che colpisce soprattutto la fascia elderly population. Are 339 over 65 who are struggling to make ends meet this month with a few euro in my pocket yet. The Chamber of Labour has made a study of Lucera sull'involuzione industrial city from 1983 to 2003. At that time, in this sector have been lost 724 jobs on 1104. A net decrease of 65.57 percent. The situation in recent years, has worsened. Just think about the closure of two other industries: the first Alghisi , then Metalsifa . Lucera is characterized by a development poco equilibrato: grandi rendite finanziarie e accumuli nei risparmi, pochi investimenti. E’ questo uno dei dati emersi nel corso di un convegno organizzato dal circolo Alcide De Gasperi per spiegare alcune cause della mancata crescita dell’economia provinciale e di quella lucerina in particolare. Nel centro svevo, nel 2003, secondo i dati della Banca d’Italia citati da Corrado Crocetta (Associato di statistica economica presso l’Università degli Studi di Foggia), a Lucera erano attivi 12 sportelli bancari, per una raccolta totale di 173 milioni di euro . Una cifra di assoluto rilievo per una cittadina di 35 mila abitanti. Di quella somma, solo l’81,8 percent (the provincial average is 90 per cent), ie € 143 million has been reinvested. Data showing contradictory characteristics: both the participation rate (59.3 percent ) than that of employment (52.8 per cent ) are below the regional average. Lucera has fewer employees than the industry average of Apulia and more workers in agriculture. Agriculture, also comes the only positive factor of all: in Lucera, the added value created by each worker in the agricultural sector is € 30 000 compared to 21 000 representing the regional average. Sono 139 , secondo uno studio compiuto dall’Assessorato comunale alle Politiche Sociali nel 2004, le famiglie lucerine direttamente coinvolte nel problema tossicodipendenza e solo per quanto attiene all’uso di eroina e cocaina. Un numero che non può tener conto del fenomeno, più sfuggente e complicato da monitorare, relativo all’abuso di alcolici e delle nuove sostanze stupefacenti.

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UN VIAGGIO OCCHI E ANIMA


UNO DEGLI ANAGRAMMI DI LUCERA E' "ULCERA" . Qualcosa vorrà pur dire, soprattutto per chi ci vive. Ma visitare l’antica Luceria, soggiornarvi per qualche giorno, vale la pena di scoprire qualche nota dolente. The things that do not belong to the fault of sloppy and uncertain times who lives across the country. Those beautiful, however, reveal the original feature, a curious and distinctive bell tower in which they lived and reigned peoples and cultures of different origins. Here we are 18 kilometers from Foggia, the provincial capital. At one time, that role and that title belonged to Lucera. Today is the fifth city of Lucera Capitanata by population: 34,656 seconds on population registers with data updated to 31 December 2007, the third in terms of potential agro-food sector. The center, which was dear to Frederick II is the gateway to the northern mountains Dauni, another world of woods, towers, castles, dialects, flavors and medieval towns to discover. To understand why the name "City of Art" must begin its journey from the heart of this "paesone" Piazza Duomo. The cathedral, the seat of the diocesan bishop and the city's most important palaces embrace a bright, white stones of a living room with a carpet of black stones along the way to score. From here, you may enter a fresh Arab labyrinth of narrow alleys that lead to plazas, squares and churches of great beauty. The totem of the "city card" are many and extremely diverse. The church of San Francesco Antonio Fasani and the Palace of Justice in the face. The Roman amphitheater. The beautiful and green town park, dominated by the imposing castle above and the Swabian-Angevin. But things to see and to immerse "eyes and soul are many more. Piazza San Giacomo, with its palaces and courtyards designed by Cervantes. The same handwriting, the same treatment is in Piazza del Carmine. Different feelings are aroused by those districts situated along the line of ancient walls, a small kasbah of houses with small doors and thick walls.

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PIAZZA DUOMO, IL GREMBO DEI LUCERINI


( stralcio dell'articolo pubblicato su "La Grande Provincia" il 23 dicembre 2002 ) Settecento anni: sono passati sette secoli da quando, il 14 ottobre del 1302, Lucera Saracenorum diventò la "Città di Santa Maria", attraverso la consacrazionedel suo imponente Duomo "gotico-angioino" per opera del vescovo Stefano. Celebrare la Cattedrale vuol dire anche ricordare la storia di un microcosmo, quello rappresentato da Piazza Duomo. I lucerini, quando si trovano a scrivere il nome di questo luogo straordinario, lo fanno usando due lettere maiuscole. Quasi a voler descrivere due aspetti distinti e allo stesso tempo inscindibili di una same entity. The agora and the sacred temple, the Piazza "female" and generous that welcomes all his children, the Gothic Duomo, and severe demands that respect and contemplation. This is not the heart of the "Urbe", is the city that meets itself daily, giving a sense of unity to its various souls who have lived in this square, fighting, elbowing, prevailing only temporarily, one over ' other. To see it from above seems to designed for a film by Wim Wenders. But it was Massimo Troisi to choose it for one of his best films, "The ways of God are finite. The theme of the miracle of the saving event which arrives to relieve the human penis, found in this square prodigio anch'essa, ma di storia, architettura e fascino, una dimensione ideale. Il microcosmo che si dischiude da questa piazza è ampio quanto possono esserlo le ali di un angelo in un sogno mistico. E poi la storia. Ogni singolo episodio, ribellioni, manifestazioni di giubilo popolare, tragedie, guerre e pacificazioni: tutto, della storia di Lucera e dei momenti memorabili del Paese, è nato o comunque passato da qui. E ancora la musica. E' qui che sono state cantate le armi, innalzati gli osanna; hanno risuonato la tromba del silenzio e le campane della cattedrale, l'internazionale socialista e il più prosaico inno alle fortune di Berlusconi (che in questa piazza non ci è mai stato); le vocidei mercanti e quelle dei bambini la domenica morning. On summer evenings, "ammizze or 'large', meet hundreds of young people, before sunset, however, are the elders of the circles and sections of the living masters of stone. In this square, which invariably is the background to emblems, badges and even brand names, were also dedicated virtual forum, but incredibly no book. Perhaps because the company is too difficult to tell when it's the same place, day after day, to write new stories to tell and the lives of lucerino slide on its hard stone for centuries. Piazza Duomo is all that and much, much more here because, in the thought and writings, the lucerino always want the capital. ( Francesco Quitadamo )

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FOLLA AL COMIZIO DI PEPPINO DI VITTORIO


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IL PALAZZO DEL VESCOVO


(excerpt from article "Piazza Duomo, the WOMB OF Lucerino, published Dec. 23 2002 "La Grande Province") The construction of the Bishop's palace was completed, designed by the Roman architect Mario Brunelli, in 1759. A great-looking building with a courtyard in a horseshoe. Decorated in the Baroque style, the palace is full of ornaments and a magnificent portal, equipped with a frieze coat and pastoral. The eighteenth-century Bishop's Palace, the seat Shepherd of the local church, the diocesan seminary and the offices of the Curia, located opposite the Cathedral. The historical diocese is on the second floor of the building. While the library of the diocese, treasure trove of ancient texts which reveal the history of the city, is located inside the seminary. On the initiative of the bishop, Monsignor Francesco Zerrillo in 1999 opened a diocesan museum of sacred art. The museum is located in the main wing of the building.

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IL BAR DE CHIARA


(excerpt from article "Piazza Duomo, the womb of Lucera, published December 23, 2002 on" The Grande Province ") From 1873 to more than 2000 to enter the third millennium: the" Bar De Chiara has 130 years of history and brings them very well. It 's another institution of this square, to which he wanted to remain faithful keeping air out of fashion: minimal decor, with old advertising of liquor, late 50s, to make ornaments from pop art. Five generations of De Chiara took turns at the counter, behind which today is the Savior, to continue a tradition. If every Sunday morning, on time, the priest says Mass; Salvatore is no different, and each time also welcomes those who, after the celebration, we are a bit ' asleep on the wooden benches of the cathedral. On the one hand, the incense, the other the aroma and taste of coffee between the sacred and the profane spend only a few meters. (pictured, Massimo D'Alema in the bar).

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PALAZZO CAVALLI E IL VECCHIO PCI


(excerpt from article in "La Grande Province") The current face of the building dates back to the horses work on the extension of 1873. Classic looking building, with the "magnificent portal, supported by four fluted columns and matching, and" short loggia with three arches supported by columns on whose pediment is read two sentences: Principium est plus quam dimidium (The beginning is more than half) and Dimidium non numquam plus est quam totum (Sometimes more than half the total). Belonged almost entirely to the noble family Spatafora. Until the late '80s, in large basements of the palace was home then the section of the Italian Communist Party. Peppino Pope, Antonio Manganiello and other historical figures of the left lucerino, treasured images that portray Giuseppe Di Vittorio, Enrico Berlinguer of the PCI and the great men who visit the city and accepted by the historical section, a communist.

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C'ERA UNA VOLTA IL SANT'ANNA


(excerpt from article published in "La Grande Province" 23 December 2002) Once this palace, where you can still read the letters written with wooden Infant school 'M. Of Savoy, '"was known as the Conservatory of the Santissima Annunziata. In '600 staying there on the orphans of the city. Then the building was joined to the cathedral by a bridge, "the coffers are ruffanell. E 'premises on the main floor, which over the years have found hospitality and first registered as the' everyman ', then after the massacre of Portella della Ginestra, the communists kicked the followers of Giannini, burning badges and flags the party. Many years later, in the same site burned down by the "comrades", the DS will be arriving. On 31 October 2002, the earthquake knocked down the upper part of facade of the building, which is unusable. A few months ago was sold to a company San Severo. Since its restructuring born probably a hotel.

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LA CATTEDRALE ERETTA SULLA MOSCHEA


(excerpt from article published in La Grande Province "23 December 2002, entitled" Piazza Duomo, the womb of Lucera) "It's from ledge to ledge effect of galloping between daring ambush , is a fine amount, a handwriting nothing, dangerous and even serene, as befits a fourteenth-century Provencal factory still enthralled the East ": that is how Ungaretti describes the Cathedral after a visit to the city. It was built in 1300. Charles II of Anjou would like the majestic testimony to the victory on the "infidel Saracens." It was built on the ruins of the old mosque, another symbolic element. The Cathedral was completed, probably in 1317. But already in 1302, with the consecration of the temple, the one that first was called "Luceria Saracenorum" becomes " Civitas Sanctae Mariae. "Bishop Stephen, in fact, dedicated to St. Mary's Cathedral, patron saint of Lucera. The statue of the saint are assigned to some events" miracles "such as protection City by the terrible earthquake of 1688 from 1702 and 1731. Example of Gothic-Byzantine style, was the work of craftsmen from Puglia and directed by the French builder Ravello Nicola of Foggia, in part, by the renowned architect Peter D'Angicourt. The Cathedral Basilica in 1834 and declared a national monument in 1874, offers to the attention of visitors splendid frescoes and works of religious art of the first magnitude.

Audition For Eastender 2010

L'OLYMPIQUE e la PANTOMIMA

to "piece of the Lake" is playing soccer in the street . Asphalt. In the midst of the housing of the '60s. The door was the gate of a garage. And the goal they all felt. A house of the brothers, the Drillinger and the Duke, we went to recharge the batteries, check the Corriere dello Sport, pull your feet in front of the Juve tivvù. We also went before every game of our team. We called ourselves "Olympique". The name I chose. In honor of the French who humiliated Milan, Galliani but especially in the final of Champions Cup. Great. Marseille also bought a scarf. Then came the split. We gave her a firm Orsara who knew my father. The emphasis on white with two blue horizontal stripes. For serious challenges, the first field was the Opera San Jose. Concrete. He won with all but with Real Madrid. The match against the "whites" local was "the game." The times we have prevailed were few. Immense satisfaction. In the microcosm of the high school football Bonghi l'Olympique era imbattibile. Noi eravamo quelli della terza "C". alla seconda "B" impartivamo delle vere e proprie lezioni di calcio. Eravamo un punto di riferimento e un termine di paragone per loro. Una soddisfazione. La squadra era solida, compatta. Ognuno aveva un suo ruolo specifico. Il Duca impostava e difendeva, dando ordine al quintetto. "Cinque polmoni" lo sosteneva nell'azione di filtro e rilancio. Drillinger teneva palla e rifiniva l'azione. Io facevo gol. U'Divers, in porta, volava da un palo all'altro. Se la partita prendeva una brutta piega lo si capiva subito. I più nervosi erano i due fratelli. Il Duca urlava e insultava pesantemente, Drillinger subiva e si abbacchiava. Più raramente era U'Divers a dare in escandescenze. Ma lui se la prendeva con tutti. "Cinque polmoni", invece, se la pigliava con me e con la mia inerzia indolente e ridanciana che mi pigliava in alcune partite poco sentite. Se a sbagliare match ero io, lo spaccone, il giorno dopo, in qualche maniera, me la dovevano far pagare. Una volta si vendicarono bene. La cosa fu originale, bonariamente cattiva, volutamente comica, alla Aldo-Giovanni e Giacomo. Fui chiamato per l'interrogazione di letteratura latina. Furono chiamati anche il Duca e U'Divers (l'unico a scamparla fu "Cinque polmoni"). Loro rifiutarono la chiamata e si presero un 2. Io mi alzai dal banco con spavalderia, sbeffeggiandoli per l'esito infausto del loro forfait. Masticavano amaro. Meditavano vendetta. All'interrogazione, con disinvoltura, I brought with me a notebook on which I used to write down a few keys and synthetic concepts of the lessons I politely. It was a plot to "own play." My questions were always a little 'theater. Modestly snooty. The game that I found it was a beauty, especially in Italian and history. A little 'less in the history of art (the technical terms I care, making everything less fluid). The notebook was open on his knees, his eyes hidden by the desk and the professor, clearly visible to my furtive glances and concentrated. Keyword, paraculesco around concepts and the game was done. The question was a pure amazement. And I, every now and then, glancing sarcastic to the "3:00 to 3:00. They looked at me with a mixture of hatred y wonder. "Vid a quill," he thought. U 'Divers had a twinkle in his eyes. He grinned. It was a moment. "Professor, Quitadamo is reading from the notebook." Brilliant. Laughing, and trying to make it look as absolutely not fraudulent, the plot showed the prof. No problem. After all, there was a job behind. It was only an outline. The professor told us that it could continue. The rest of the question was no book to take home. But now we were in injury time. The game was won.